An album is a collection of audio recordings issued as a collection on compact disc, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual records collected in a bound book resembling a photograph album.
Are still issued, though album sales in the 21st-century have focused on CD and MP3 formats; the audio was a format used alongside vinyl from the 1970s into the first decade of the 2000s. An album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places; the time frame for recording an album varies between a few hours to several years. This process requires several takes with different parts recorded separately, brought or 'mixed' together.
Recordings that are done in one take without are termed 'live' when done in a studio. Studios are built to absorb sound, eliminating, so as to assist in mixing different takes. Recordings, including live, may contain sound effects, voice adjustments, etc.With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using. Album covers and liner notes are used, sometimes additional information is provided, such as analysis of the recording, lyrics or librettos; the term 'album' was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of short pieces of printed music from the early nineteenth century. Collections of related 78rpm records were bundled in book-like albums; when long-playing records were introduced, a collection of pieces on a single record was called an album. An album, in ancient, was a board chalked or painted white, on which decrees and other public notices were inscribed in black, it was from this that in medieval and modern times album came to denote a book of blank pages in which verses, sketches and the like are collected.
Which in turn led to the modern meaning of an album as a collection of audio recordings issued as a single item.In the early nineteenth century 'album' was used in the titles of some classical music sets, such as Schumann's Opus 68, a set of 43 short pieces. When 78rpm records came out, the popular 10-inch disc could only hold about three minutes of sound per side, so all popular recordings were limited to around three minutes in length. And items were released on the longer 12-inch 78s, about 4–5 minutes per side. For example, in 1924, recorded a drastically shortened version of the seventeen-minute with, it ran for 8m 59s. Had produced an album for its complete recording of the opera Carmen in 1908. German record company released the by in 1909 on 4 double-sided discs in a specially designed package; this practice of issuing albums does not seem to have been taken up by other record companies for many years. By about 1910, bound collections of empty sleeves with a or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records.These albums came in both 12-inch sizes.
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The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album; the 12-inch LP record, or 33 1⁄3 rpm microgroove record, is a gramophone record format introduced by in 1948.
A single LP record had the same or similar number of tunes as a typical album of 78s, it was adopted by the record industry as a standard format for the 'album'. Apart from minor refinements and the important addition of sound capability, it has remained the standard format for vinyl albums.The term 'album' was extended to other recording media such as Compact audio, compact disc, digital albums, as they were introduced. As part of a trend of shifting sales in the music industry, some observers feel that the early 21st century experienced the.
While an album may contain as many or as few tracks as required, in the, The Recording Academy's rules for state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In the, the criteria for the is that a recording counts as an 'album' i. D is the fourth full-length studio album by the Texan band, released by on May 24, 2011 to wide critical acclaim. After their third studio album, White Denim made some changes: they expanded from a power trio to a four-piece, adding a second guitarist Austin Jenkins and came to use more sophisticated studio. 'First and foremost the gear we were using, it kind of brought out different performances.
Before we were in a trailer, using a lot of equipment to try to stretch it out, with this one we played in a nice studio and had access to things we hadn’t before, we were kind of hearing everything much more and it got different performances out of us,' James Petralli said in an interview; this new approach, according to, resulted in a work marked by 'warmer, acoustic spirit and a more expansive, swirly style'. Speaking of a newcomer, James Petralli credited Jenkins with having 'brought a lightness and sense of humor back to the group'. 'I think for a short while we were running the risk of losing that, crazy because fun and laughter have always been such an essential part of our collaboration,' the singer/guitarist added.He discarded any doubts concerning the'studio experience' which might have had any detrimental effect upon a band's collective: 'I don't feel like any of the'soul' was lost. The quality of the equipment and environment should have an impact on the music, it did on this record'. Upon its release, D received critical acclaim from music critics. Aggregating website AnyDecentMusic?
Reports a score of 7.7 based on 22 professional reviews. AllMusic calls this 'laboriously constructed' album 'a masterpiece'; the new production value did 'nothing to water down the band's muscular interplay,' according to Jason Lymangrover. A reviewer calls bassist Steve Terebecki and drummer Josh Block 'one of the most badass rhythm sections this side of and ', praises guitarists Jenkins and James Petralli for playing off one another 'intertwining jazzy, prog scales, rock riffs.' 'Everything is structured, melodies are of the highest importance in the album's explosive single'Drug,' which blends a raw groove and Southern slack along with lyrics,' the critic writes.According to, White Denim are '.like a jam band that refuses to be boring', mixing sublimely ', boogie, prog rock and fusion riffs like inspired kids on 64GB iPods and 64-ounce ' in a way that 'often recalls late-Sixties, when their songs still had drive but were exploding every which way.'
'The freakouts are mathematically calibrated, come with joyous hooks, can into something conventionally heroic,' notes magazine. The album has been described as 'White Denim's most thrillingly off-kilter record to date' and 'another joyous rampage through rock's dusty attic' by and Q critics, respectively.
Uncut placed the album at number 4 on its list of 'Top 50 albums of 2011', while Mojo, NME, Rolling Stone ranked it 6, 37, 46, respectively; this album peaked #16 on the chart. The album was included in the book 1001 Albums You Must Hear Before You Die.
All songs written and arranged by White Denim, except for 'Burnished', written by White Denim and Lucas Anderson, 'Keys', written by White Denim with string arrangement by Jonathan Geer.James Petralli –, guitars Austin Jenkins – guitars Steven Terebecki – guitar Joshua Block – and, mixing engineer Danny Reisch – engineer – producer, mixing engineer Jim Vollentine – assistant engineer – – – viola Elizabeth – – – engineer – mastering engineer Michael Hammett – artwork designer, photography Bobby Weiss – photography. Is an American four-piece rock band from. Their music is influenced by dub, with home-based recording, jamming approach, intense looping work and unusual song structures. In March 2005, two bands, Parque Touch and Train, played a show together at Beerland in Austin, Texas. After the show Steve was asked to play for Parque Touch and the band became four, playing under the pseudonyms Byshop Massive, Bop English, Nicholas, Terry Beckins; the new line-up began playing the local Austin circuit while recording punk-infused, in Block's 1940s Spartan trailer. In 2007, the band self-released its first EP entitled on 7' only, but these tracks became available on. While on tour in 2007, the band recorded a nine-song 'tour EP' entitled, only sold at shows.
Workout Holiday caught the ear of new, the band signed on to re-record three of the songs.These songs were released as the RCRD LBL EP, one MP3 track at a time over the course of the first few months of 2008. Since these releases, the band has toured extensively, playing shows including and, received the award of 'Best New Band' at the 2008 Austin Music Awards. In order to reach European listeners, the band signed to UK record label for an overseas release; the first release on Full Time Hobby was the single 'Let's Talk About It' b/w 'Darksided Computer Mouth'. On June 23, 2008, the band released its debut album, the, which consists of re-recorded songs from the band's first two self-released EPs along with some new tracks; the band released two more singles in from Workout Holiday: 'All You Really Have To Do' b/w 'DCWYW' and ' b/w 'All Truckers Roll'. Back in the U. White Denim released their debut U. Full-length LP, entitled Exposion in late 2008.
Sold during their Spring 2008 tour as a with the title 11 Songs, the album was made available in digital format from their official website on October 19, 2008.The band teamed up with Austin's Transmission Entertainment for the distribution of Exposion in the US. White Denim's third full-length album, was released via Full Time Hobby on June 22, 2009; the record was released in Europe only, but after signing their first US record deal with on July 10, the band release Fits on October 20, 2009. This album was packaged with Exposion as a bonus disc, giving the band's second LP a proper US release. In September 2010 White Denim announced the addition of second guitarist Austin Jenkins to the band's line-up. On September 23, 2010 the band self-released a collection of 12 tracks under the title; the release notes state 'This record is something we made as a little summer retreat from our ongoing work on the third full length.
Many of these tunes have been bouncing around since the formation of the band back in 06. We were super pumped to utilize a few fresh and casual musical approaches on this record.' It was available to download for free from the band's official website, but on December 5, 2011 it was released by Downtown Records on CD and LP.On May 24, 2011, White Denim released their fourth studio album D on Downtown Records. The first leg of White Denim's For D tour started on May 23 in. In 2012, White Denim opened for on their Jan-Feb west coast tour and played at the 2012, they will play festival with support from.
White Denim's Austin Jenkins and Josh Block have championed and played with Texan soul singer since late 2014, having been introduced to him at a bar in. In 2015, James Petralli released his first solo album, Constant Bop, under his, Bop English. On 7 January 2016, announced that their new album, would be released on 25 March 2016 via Downtown/Sony Red, with the track ' You' shared on their.
A second track, ' Ha', was released on 1 February 2016. On October 20, 2016, the song was used in the reveal trailer for the. On May 9, 2018, the band announced their eighth full-length album, scheduled for release on August 28 via.The announcement was accompanied by the album's lead single, 'Magazin,' and followed by a second single, 'It Might Get Dark,' on June 12. James Petralli –, Greg Clifford – Steven Terebecki – vocals, – Exposion Fits Last Day of Summer D Stiff Performance Side Effects Official website, Interview: Artist of the Day, November 26, 2007., Gig review: White Denim & the Hype, April 8, 2008. Stiff is the seventh studio album by the band. It is their first release following the departure of drummer Josh Block and guitarist Austin Jenkins, who left in March 2015 to work on ' debut album.
And have joined the band after touring with James Petralli on his solo project Bop English. Stiff was released on March 2016. 'I wanted to treat this like a debut record. The band’s still called White Denim and it is because that’s what we’re calling it but I felt like we needed to go back-to-basics, it was like we write the tunes, rehearse them for a week or two weeks – we didn’t do a lot – just bang it out. It was the first time to go in with a producer from the beginning of a record and finish with a producer as well.' — James Petralli, frontman ' You' — The first single was released along with the album announcement. Art Levy of said that the song 'simultaneously struts and sprints'.
'Ha ' — Petralli mentioned as an influence behind the soul sound of the track, mentioning – 'It started with me, sitting in my garage, playing around with.R&B, in general, is where it’s at for me.' 'Had 2 Know' Stiff was released on March 2016 on Downtown Records. Mark Demig, who reviewed the album for said 'The edgy energy that's long been the band's trademark is present in abundance here, welcome news since Stiff debuts a new White Denim lineup.' And added that 'The tone here is playful when Petralli lets his accents come forth.
But the attack is taut and the force of this music is no joke.' NME give the album three out of five stars, concluding ' wear their proudly and with each album their brand of bluesy, Southern-style becomes less obscured by experimentation, although whether or not that’s a good thing is a moot point. This is the kind of music punk had to be invented for.' Awarded Stiff four out of five stars, praising the soul influence on the songwriting – 'Live, they may make your knees shake like, but on record the musicianship eclipses the songs, resulting in a lack of memorable bangers.Went some way towards changing that, but on their seventh, the Ethan Johns-produced Stiff, they’ve nailed it by embracing soul – or rather, running into its syrupy-sweet waters.' James Petralli – and Steve Terebecki –, group vocals, Jonathon Horne – guitar, group vocals Jeff Olson –, synthesizer, group vocals Mike St.
Clair –, synthesizer – producer 'Ha Ha Ha Ha' was featured in the reveal trailer for the. Is an American entertainment media brand owned by the, a division of Eldridge Industries. It publishes pieces involving news, opinion, reviews and style, is known for its music charts, including the Hot 100 and Billboard 200, tracking the most popular songs and albums in different genres, it hosts events, owns a publishing firm, operates several TV shows. Billboard was founded in 1894 by and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegen's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses and shows, created a mail service for travelling entertainers. Billboard began focusing more on the music industry as the and radio became commonplace.
Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment, so that it could focus on music.After Donaldson died in 1925, Billboard was passed down to his children and Hennegan's children, until it was sold to private investors in 1985, has since been owned by various parties. The first issue of Billboard was published in by William Donaldson and James Hennegan on November 1, 1894, it covered the advertising and bill posting industry, was known as. At the time, billboards and paper advertisements placed in public spaces were the primary means of advertising.
Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co. Managed magazine production. The first issues were just eight pages long; the paper had columns like 'The Bill Room Gossip' and 'The Indefatigable and Tireless Industry of the Bill Poster'. A department for agricultural fairs was established in 1896; the title was changed to The Billboard in 1897.
After a brief departure over editorial differences, Donaldson purchased Hennegan's interest in the business in 1900 for $500 to save it from.That May, Donaldson changed it from a monthly to a weekly paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, and, re-focused the magazine on outdoor entertainment such as fairs, circuses and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of outdoor events in 1901. Billboard covered topics including regulation, a lack of professionalism and new shows, it had a 'stage gossip' column covering the private lives of entertainers, a 'tent show' section covering traveling shows, a sub-section called 'Freaks to order'. According to, Donaldson published news articles 'attacking censorship, praising productions exhibiting'good taste' and fighting yellow journalism'; as railroads became more developed, Billboard set up a mail forwarding system for traveling entertainers.
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The location of an entertainer was tracked in the paper's Routes Ahead column Billboard would receive mail on the star's behalf and publish a notice in its 'Letter-Box' column that it has mail for them.This service was first introduced in 1904, became one of Billboard's largest sources of profit and celebrity connections. By 1914, there were 42,000 people using the service, it was used as the official address of traveling entertainers for draft letters during. In the 1960s, when it was discontinued, Billboard was still processing 1,500 letters per week.
In 1920, Donaldson made a controversial move by hiring journalist Jackson to write a weekly column devoted to African-American performers. According to The Business of Culture: Strategic Perspectives on Entertainment and Media, the column identified discrimination against black performers and helped validate their careers. Jackson was the first black critic at a national magazine with a predominantly white audience. According to his grandson, Donaldson established a policy against identifying performers by their race. Donaldson died in 1925. Editorial changed focus as technology in recording and playback developed, covering 'marvels of modern technology' such as the, record players, wireless radios.It began covering coin-operated entertainment machines in 1899, created a dedicated section for them called 'Amusement Machines' in March 1932.
Billboard began covering the motion picture industry in 1907, but ended up focusing on music due to competition from Variety, it created a radio broadcasting station in the 1920s. The jukebox industry continued to grow through the, was advertised in Billboard, which led to more editorial focus on music; the proliferation of the phonograph and radio contributed to its growing music emphasis.
Billboard published the first music hit parade on January 4, 1936, introduced a 'Record Buying Guide' in January 1939. In 1940, it introduced 'Chart Line', which tracked the best-selling records, was followed by a chart for records in 1944 called Machine charts. By the 1940s, Billboard was more of a music industry specialist publication; the number of charts it published grew after, due to a growing variety of music interests and genres.It had eight charts by 1987, covering different genres and formats, 28 charts by 1994.
By 1943, Billboard had about 100 employees; the magazine's offices moved to in 1946 to in 1948. A five-column format was adopted in November 1950 and coated paper was first used in Billboard's print issues in January 1963, allowing for photojournalis.
White Denim performed live on KCRW's Morning Becomes Eclectic. ( Rob LaFond/KCRW)When the down-and-dirty Austin rock band White Denim stopped by the KCRW studios on the day of its album release, its members had one goal in mind: Put as much pressure on our studio equipment as possible before total collapse. They nothing held back, even sweating through their shirts on a crisp fall morning. From blues to prog-rock, soul and psychedelia, there's plenty to like about White Denim's album Corsicana Lemonade — including this song, 'Cheer Up/Blues Ending.'